This article can also be found by way of our cosponsor, Poetry Society of America, in their . Click here to read a poem by Krystal who will be reading at the Rapid Fire: City Wide Fellows Reading on Wednesday, April 2 at 5PM.
Krystal Languell on Belladonna*
Krystal Languell was born in South Bend, Indiana. Two chapbooks and a full-length collection of poetry are forthcoming: LAST SONG (dancing girl press, 2014), BE A DEAD GIRL (Argos Books, 2014) and GRAY MARKET (Coconut, 2015). FASHION BLAST QUARTER was published as a poetry pamphlet by Flying Object in 2014. A core member of the she also edits the journal Bone Bouquet. She was a recipient of The Poetry Project’s Emerge Surface Be Fellowship, during which she worked with Anselm Berrigan.
What is your own personal history with chapbooks? How did they first catch your interest?
As a graduate student at NMSU and an intern at Noemi Press in 2009, I first learned about chapbooks through Noemi’s publishing catalogue. On the floor of the Puerto del Sol office I stapled Sarah Veglahn’s Closed Histories and Rebecca Bednarz’s Camera Obscura. I discovered Belladonna* when Carmen Giménez Smith (publisher of Noemi and my MFA thesis advisor) assigned Lila Zemborain’s full-length book Mauve Sea-Orchids, and Belladonna* sent me some chaplets as a bonus. Also around this time I found out (through 2009′s AWP?) about Ugly Duckling Presse, and got Dodie Bellamy’s Barf Manifesto.
Listing each of these books/lets gives me a greater sense of my education and also the inevitability of my route to NYC in retrospect. But each of these chapbooks was easy to hold, easy to read lying on my back in 100 degree weather, when it is too much to ask to hold up anything bound with glue, and seemed more accessible as a publishing goal for my own poetry, too. What happened next for me was that a new chapbook press accepted a manuscript I submitted, and then the press folded. This was in 2009 too, and only now, in 2014, do I have my first chapbook coming out! (A full-length was published in 2011.) It’s been a long journey, me and chapbooks.
What made you first decide to start publishing chapbooks?
When I became part of Belladonna* in 2010, the chaplet series had been on pause for a year or two. I had a lot of energy for it to start back up—number 125 AKA Elders #8 (Did you know the Elders Series is numbered both 1-8 as books and 118-125 as chaplets? Belladonna* trivia!) had been the last issued; to me it seemed that anything that had lasted so long, for 125 publications, should continue as long as possible. We picked it up in 2011, starting at that year’s AWP with a prose event involving Vanessa Place, Eileen Myles, and Bhanu Kapil (#126-128), continuing in February with Body of Words (#129), a multi-author chapbook and event combining dance and poetry, and in April of that year Flux Poetics: writing from cultural duality with Carmen Giménez Smith, Tsering Wangmo Dhompa, and Cecilia Vicuña (#130-132). Since then, we’ve published 12-18 chaplets each year, most recently #161 for AWP 2014: Against the Private Zoo, with contributions from eight writers.